Frolic Pictures

In Bloodbeat (1983), a woman who lives in deer-hunting country in rural Wisconsin is possessed by the spirit of a Japanese samurai warrior. In Bells (1982), a disgruntled phone company employee develops a device whereby those answering a phone can be murdered, and it's up to Nat Bridger to stop the killer.

In Necromancy (1972), Orson Welles plays the head of a witches' coven in the town of Lilith, where he needs the powers of Pamela Franklin to raise his son from the dead. In The Headless Eyes (1971), a poor artist gets eye gouged out while committing a robbery. When his eye heals, he goes on a killing spree and cuts out women's eyes with a spoon.

In Tainted Image (1990), a female artist slowly goes mad after her mother's suicide. In Fatal Images (1989), a crazy serial killer kills himself by sealing his soul in to his camera. Years later a woman buys the camera, and everyone she photographs begins being tracked down and killed by the killers spirit.

In The Vals (1983), four Valley Girls save a boys orphanage from eviction, give drug dealers their just desserts, and exact revenge on the Beverly Hills brats. In The Hereafter (1983), Neville Harmer thinks his troubles are over when his wheel-chair bound father meets with an untimely death due to Neville's negligence leaving him with a hefty inheritance.

In Time Walker (1982), an alien, buried in King Tut's tomb, terrorizes a college campus. In The Day Time Ended (1979), aliens visit the solar-powered house of a middle-class family, and the house is suddenly sucked into a time warp that transports it back to prehistoric times.

In Death Smiles at Murder (1973), a man discovers an ancient Incan formula for raising the dead, and uses it for a series of revenge murders. In Seven Deaths in the Cat's Eyes (1973), horribly murdered bodies keep turning up in a small Scottish village. Suspicion falls upon the residents of a nearby castle that is haunted by a curse involving a killer cat.

In The Roommates (1973), five lovely young ladies spend their summer vacation at Lake Arrowhead, but things go awry when they find themselves the targets of a mysterious murderer. In There's Always Vanilla (1971), a young man returns to his home city of Pittsburgh and moves in with an older woman whom he begins to rely on for emotional and financial support.

In Mirror Mirror (1990), a teenage girl begins receiving black magic power through an antique mirror that drips blood, not realizing the mirror is controlled by demonic forces. In The Brainsucker (1988), a psycho killer uses a corkscrew to stick into the brains of his victims.

In The Vindicator (1986), an employee of a secret company operation becomes the victim of the company's special weapons project. In The Stepfather (1987), after murdering his entire family, a man marries a widow with a teenage daughter in another town and prepares to do it all over again.

In The Hunchback of Notre Dame (1923), the brother of the archdeacon plots with the gypsy king to foment a peasant revolt. Meanwhile, a freakish hunchback falls in love with the gypsy queen. In The Phantom of the Opera (1925), a mad, disfigured composer seeks love with a lovely young opera singer.

In The Chilling (1989), the bodies at a cryogenic centre are defrosted by accident and turn into cannibalistic zombies. In Backwoods (1987), a hillbilly father and his idiot son terrorize and murder campers.

In Metropolis (1927), a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences. In The Most Dangerous Game (1932), an insane hunter arranges for a ship to be wrecked on an island where he can indulge in some sort of hunting and killing of the passengers.